49 they split 3 critics · 42 to 55
Read by Marlow, First Reader · what that means · what he keeps
Hoffman saves the day — and the movie.Stephen Farber, The Hollywood Reporter · we gave it 55
Alex Vlack was awfully lucky to get Dustin Hoffman to center his narrative feature debut, which otherwise strains to reach its ambitions.Elizabeth Weitzman, TheWrap · we gave it 42
No classification board we can read has certified this film. We checked the British and American boards; something that has played festivals and had a limited run often has no certificate anywhere yet. Everything above is what the critics we read happened to mention. That is not the same answer asked the same way every time, and we will not dress it up as one. When a board classifies it, this fills in.
Hoffman saves the day — and the movie.
Stephen Farber, The Hollywood Reporter · quoted in Wikipedia, original not read by us · FP000105The Revisionist sets off to explore a complicated process (which, to be fair, is hard to dramatize on screen, without fully going the Charlie Kaufman or David Cronenberg route), but ends up simplifying it instead.
Olga Artemyeva, ScreenAnarchy · quoted in Wikipedia, original not read by us · FP000106Alex Vlack was awfully lucky to get Dustin Hoffman to center his narrative feature debut, which otherwise strains to reach its ambitions.
Elizabeth Weitzman, TheWrap · quoted in Wikipedia, original not read by us · FP000107<iframe src="https://fp.caelivonstudios.com/embed/the-revisionist/"
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